Top 99 Guillermo del Toro Quotes of All time - Quotes.Pub

Here you will find all the famous Guillermo del Toro quotes. There are more than 99 quotes in our Guillermo del Toro quotes collection. We have collected all of them and made stunning posters out of those quotes so you can use Guillermo del Toro quotes wallpapers and images to share on the various social media platforms. You can download the quotes posters in various different sizes for free.

You’ll meet her. She’s very pretty, even though sometimes she’s sad for many days at a time. You’ll see, when she smiles, you’ll love her.

But what is intelligence? Is intelligence calculations and computations? Or must true intelligence contain a moral component? Each passing minute, I believe more that this is the case.

It’s a situation doomed enough to laugh at, but he thinks of what he used to tell his students. Imagine being a planet. Don’t laugh, he’d tell them. Try to imagine it. Eons of loneliness, and then one day your ellipsis peaks toward that of another planet and there is a gasp of nearness. Wouldn’t you try to make the most of it? Wouldn’t you, too, combust and flare and explode if you had to?

You never truly know who you are until you get really, deeply hurt.

We feel immortal when we are young. Or maybe we just don’t care that much about death yet?

Part of getting old is checking oneself constantly. Keeping a good firm grip on the handrail. Making sure you’re still you.

When she finally wrapped her arms around the girl, the softness stirring in her heart frightened her. It was dangerous to be soft in this world.

If past wrongs are not addressed, and dealt with honestly, dark spirits will erupt through the unhealed seam. It is the same for cities and towns as it is for people.

The room smelled milky, of vanilla and almond, from the breakdown of chemical compounds in the old paper.

By God, Giles thinks, it’s true: They are not so different from each other. Giles might still, under the right light, bathed in the right water, be beautiful, too.

When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.

Sometimes even the healers are turned into butchers by the darkness of this world.

I think that during the shoot, you should never be there, unless something goes really wrong and as producer, you’re responsible. The sign you did your job right is if you are not there.

I think when the joke comes from the situation in a horror film, it’s really great. I don’t like jokey horror films like where people are cracking a joke or being post-modern about it.

When you work with a great director, you can have a great partnership.

Eons of loneliness, and then one day your ellipsis peaks toward that of another planet and there is a gasp of nearness. Wouldn’t you try to make the most of it? Wouldn’t you, too, combust and flare and explode if you had to?

I love the idea of creating a sort of nuanced portrait of kids that they’re not all perfect. They’re kind of misfits but not in a picturesque, hip way, they’re really, really kids that are not entirely great.

I’m a movement Nazi. It used to be my way before. Now, in the last three projects. I found a way to let the actors find their comfort and still find the precision in the show. It’s a change in me.

Normally my clients were my mother, my grandmother, and my dad, and I would sell them the issues with a great color cover. There was a story I remember called ‘The Invader,’ and it had an invisible dome covering a city, with a giant tentacled monster eating everybody in sight, and people trying to drill a hole in the dome. And I did these epic Prismacolor pencil illustrations and sold out the three issues to my captive audience.

I think that The Eye is a particularly Americanized take on horror.

For Devil’s Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.

It’s important for little girls to know not every story has to be a love story and for boys to know that soldiers aren’t the only ones to triumph in war.

There are two types of producing deals, and I’ve had both. I’ve produced over 20 movies now. You are either watching in horror, as the cars take the curve in the grand prix, or you’re enjoying it.

So I have 8 to 10 screenplays written and unproduced. And frankly, some of them are my favorite stories. I have a Western version of The Count Of Monte Cristo where the count has a clockwork hand. I have a screenplay called Mephisto’s Bridge about a Faustian deal with the devil. I love them all.

A key piece of advice from Hermosillo was to have faith in oneself. He would often tell Guillermo, “If a road is not presented, you build one.

Normally a period movie has a lot of problems with the graphics. They look modern made.

In you, we have given this world a great gift – and of that, I have no doubt.

The only piece of home Ofelia had been able to take with her were some of her books. She closed her fingers firmly around the one on her lap, caressing the cover. When she opened the book, the white pages were so bright against the shadows that filled the forest and the words they offered granted shelter and comfort. The letters were like footprints in the snow, a wide white landscape untouched by pain, unharmed by memories too dark to keep, too sweet to let go of.

You may occasionally be hurt by the sort of cavalier cruelty of commentary if you go into online forums, so there’s definitely a maturity about not seeking validation from everyone, every single time.

Del Toro wearing sculpted and molded gelatin makeup, including fake hair and acrylic dentures and gums.

I only produce directors and movies that I have a lot in common with.

There are two levels of vampirism: one is the regular vampire, which is just like it has always been; and then there’s the super vampires, which are a new breed we’ve created.

Cars get girl names. Guns get guy names. What do knives get?

In real life, what scares me is politicians, corporations and people that think they know what the world should be.

And I really loved sculpting. My brother and I would do full human figures with clay and Plasticine – liver, intestines, the heart – fill them with ketchup and throw them from the roof. So I was an artistic but very morbid kid.

I’m serious, Jim. You need to put this crap away. You walk into school on Monday talking to me, or anyone else, about the city’s pesky troll problem, and you’re not exactly going to get a lot of people saying, ‘Gee, thanks for the warning.’ It’ll spread faster than mono. You think things are tough for us now? Jim, this will be the end. I’m sorry if you had a crazy nightmare. I really am. But I can’t let you ruin our lives.

If you believe that the natural world is good, then you must also accept its brutality.

The proper term is “occultation.” The moon occults the sun, casting a small shadow onto the surface of the earth. It is not a solar eclipse, but in fact an eclipse of the earth.

I had gotten to the point where I just didn’t want to perform anymore – I didn’t want to be on the chopping block anymore. I started to want to withdraw and retreat from it.

I really wanted the house to be a character. And I knew, I said, I’ll produce that one, but if I direct it, I need to build a house.

Eph too had been turned. Not from human to vampire, but from healer to slayer.

I believe that the physical effect, the physical set, whenever you can, is ten times better than the digital effect.

I think Hollywood has a habit of developing 100 times more than they actually shoot.

What would feeling like somebody feel like? To suddenly exist not only in your world, but someone else’s as well?

I don’t want to move over to Beverly Hills. My goal is to make the movies I want to make and support the people I want to support. That’s it.

I think part of making movies is dealing with restrictions of freedom and budget. I’d rather deal with restrictions of budget. It’s better to feel free within any budget.

Movies that look safe are less interesting.

For eight years I did effects for other movies until I got my movie made.

To learn what we fear is to learn who we are.

At some point, in order to gain his identity, the kid goes “I’m not my dad” or “I’m not my mom.”

1
2
3
4