Top 15 Colin Dickey Quotes of All time - Quotes.Pub

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There’s precious little land in the United States that hasn’t been contested, one way or another, through the years. Americans live on haunted land because we have no other choice.

Local cops preferred working the beat around the tower, because migrating ducks would often fly into it and fall, electrocuted, dead to the ground, and the cops could pick up the dead ducks and sell them to restaurants.

The problem with ghosts is that they can never figure out if they’re transients or residents – they don’t quite stick around, and yet they never really leave.

More than just a place of shelter, a place of comfort, or a place of privacy, the house for Bachelard “shelters daydreaming” and “allows one to dream in peace.” The.

Look for the darkened graveyards, the derelict hotels, the emptied and decaying old hospitals. Wait past midnight, and see what appears.

We tell stories of the dead as a way of making a sense of the living. More than just simple urban legends and campfire tales, ghost stories reveal the contours of our anxieties, the nature of our collective fears and desires, the things we can’t talk about in any other way. The past we’re most afraid to speak aloud of in the bright light of day is the same past that tends to linger in the ghost stories we whisper in the dark.

Goethe wrote in 1827, America, you have it better Than our old continent, You have no ruined castles And no ancient basalt. Your inner life remains untroubled By useless memory And futile strife. That was then. Now, almost two hundred years later, we’ve started to catch up to old Europe. We have plenty of ruined castles now, plenty of wasted strife to call our own.

For centuries the mad belonged to the same group of society as the blind, the poor, the sick, and the elderly; all who could not work or otherwise easily contribute to society were more or less treated equally, regardless of the specificity of their situations. Prior.

A city obsessed by its ghosts seems to be weighted down by a conflicted view of the past. Something close to melancholy: a weight it can’t quite let go of, a lingering sadness. And though we don’t often think of the United States in these terms, this melancholy is as much a part of our history as our triumphs.

When it came to the definition of genius, the ultimate measure could never really be the skull – the measure was always the writing, the music, the art itself.

But this, too, you could say, is part of the American story, as we have always been people who move on, leaving behind wreckage and fragments in our wake.

The dead are watching, whether or not we choose to listen to their stories.

Ghost stories are a way of talking about things we’re not otherwise allowed to discuss: a forbidden history we thought bricked up safely in the walls.

Our brains are hardwired to think in terms of place and to associate psychic value or meaning to the places we inhabit.

The “moral treatment,” as it came to be known, became the solution: rather than chained and forgotten, patients would be unshackled and allowed to move about the asylum at will. Instead of being tortured and imprisoned, patients would work and play. Through labor and sports, hobbies and other recreations, the moral treatment promised rehabilitation and freedom from insanity. The moral model was held out as a means of actually curing patients, rather than simply bundling them out of sight.